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In Historic Agreement, Boston’s Museum of Fine Arts Restores Pottery by Enslaved Artist David Drake (“Dave the Potter”) to His Descendants

October 31, 2025
in Lifestyle
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Drake’s descendants say the first-of-its-kind return acknowledges damaged title for works taken from enslaved creators

Pauline Baker, Daisy Whitner, John Williams, and Priscilla Williams Carolina, descendants of artist David Drake, with “Signed Jar” (1857).

Nationwide — In a historic restitution of artwork, the Museum of Wonderful Arts, Boston (MFA) has agreed to return two uncommon stoneware vessels created by the artist often known as Dave the Potter or David Drake—an enslaved Nineteenth-century craftsman—to his heirs. Till now, the works of enslaved African American artists haven’t been a part of the worldwide artwork restitution motion, however the MFA’s motion bridges that hole; it’s making use of the identical moral requirements to works wrongfully taken from enslaved artists because it does to looted and forcibly bought artwork, which, by definition, has damaged the chain of title. As such, rules of moral restitution apply to Drake’s works, as they might to artwork taken by Nazis through the Holocaust or Benin bronzes taken from the Kingdom of Benin, now in Nigeria.

“As a household, we need to thank and commend the Museum of Wonderful Arts, Boston, for its excellent ethical, moral, and galvanizing management with regard to this landmark act of restitution,” stated Pauline Baker, Drake’s great-great-great-granddaughter. “Our great-great-great-grandfather by no means bought to personal one single piece of his personal pottery or to cross them on to his kids and grandchildren. However at present the Museum does all it might to proper that incorrect.”

How the Settlement Works

Underneath the settlement, the MFA will switch the authorized title of two jars to a belief shaped by Drake’s descendants. The museum will repurchase one jar from the descendants, whereas the second will stay owned by the belief and quickly loaned to the MFA. The belief will situation the museum a certificates of moral possession for the repurchased jar. This course of will distinguish items of Drake pottery which might be owned legitimately and ethically, via engagement with the household, from these that aren’t.

The household has launched a web site: DescendantsOfDave.org, the place individuals who consider they could be Drake descendants can come ahead. To make sure ample alternative for others to come back ahead, the household has determined to not distribute funds to Drake’s recognized descendants for a two-year interval, permitting time for added descendants to be recognized.

A Historic First

“We applaud the MFA’s extraordinary management and exemplary dedication to justice, aligning its actions with its acknowledged values,” stated George Fatheree, a chief architect of the deal and counsel for the Drake’s descendants. “The return of Drake’s works is groundbreaking – it affords descendants of enslaved African People the identical rights and dignity bestowed on descendants of Jewish individuals persecuted below the Nazis.”

Biography of David “Dave” Drake

David Drake was born round 1800–1801 into slavery in South Carolina. Over a long time within the Edgefield pottery district, he mastered alkaline-glazed stoneware, producing monumental jars and utilitarian vessels, some bearing his identify and brief poems—a rare act of resistance at a time, as literacy by enslaved individuals had been outlawed since 1740. Drake was an acclaimed potter, believed to have created a number of thousand vessels. The Edgefield Advertiser wrote in 1859 how kids like to look at jugs, jars, and crocks take form below his “magic contact.”Census information counsel he died within the 1870s.

Market Context

In recent times, Drake’s works have skyrocketed in worth, fetching costs of tens of hundreds of {dollars} and upwards. In August 2021, one in every of his monumental verse jars bought for $1.56 million, a world report for American pottery. But regardless of their hovering market worth, none of Drake’s descendants ever shared in these advantages.

The worth of David Drake’s pottery is two-fold. His monumental jars are objects of magnificence, celebrated for his or her type, scale, and glaze. However his signed and inscribed items reveal one thing much more profound.

“Even whereas enslaved, and compelled to work day in and time out, his thoughts and soul, his character and character had been all the time free,” Baker stated. “That means to carry onto his sense of self is what resonates down via the centuries and conjures up us as a household.”

Museum of Wonderful Artwork, Boston

The Boston museum’s management has been essential in celebrating Drake’s work in addition to amplifying the circumstances below which he and dozens of different enslaved African People toiled in South Carolina potteries earlier than the Civil Battle. Its 2023 exhibit “Hear Me Now: The Black Potters of Previous Edgefield, South Carolina” showcased 60 ceramic items by Black potters from the stoneware-producing district of Previous Edgefield, South Carolina, together with monumental works by David Drake.

“These jars usually are not solely extraordinary artistic endeavors—they’re tangible proof of a lifetime of brilliance and resilience lived below oppression,” stated Pierre Terjanian, the MFA’s Ann and Graham Gund Director. “By returning them to David Drake’s descendants, we acknowledge the artist as their first rightful proprietor and search to revive the cultural—and familial—dignity that was misplaced when the works had been taken from him.”

Comply with: @davethepotterfamily (Instagram, TikTok, Fb, YouTube)

For press inquiries, contact Lisa Richardson at lisa@riseprfirm.com or 323-447-2421



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Tags: agreementArtistArtsBostonsDaveDaviddescendantsDrakeEnslavedfineHistoricMuseumPotterPotteryrestores
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