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Training Program Talents Sarajevo Unveils Mentor Lineup

August 2, 2025
in Black Media
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The nineteenth version of Sarajevo Movie Pageant’s coaching program, Abilities Sarajevo, has unveiled its mentors, who embrace Isaure Pisani-Ferry, co-creator of Disney+’s “Turning into Karl Lagerfeld.”

This system will probably be attended by 63 up-and-coming movie professionals, drawn from 17 nations. They are going to be grouped into eight labs: Performing Studio, Administrators Summit, Script Station, Digicam Studio, Producers Summit, Modifying Studio, Expertise Press and Pack and Pitch. Every is led by distinguished mentors.

Croatian actor Goran Bogdan is the mentor for Performing Studio. He’s recognized for his roles in “Fargo,” “Father” and “The Man Who May Not Stay Silent,” winner of the 2024 Palme d’Or for greatest brief and Oscar nominated.

The newly reimagined Administrators Summit introduces the “One Day From Competitors” idea, bringing collectively filmmakers whose work is featured within the competitors program of the thirty first Sarajevo Movie Pageant. Via periods with Kukla (“Fantasy”), Vladimir Tagić (“Yugo Florida”), Stefan Đorđević (“Wind, Speak to Me”), Georgi M. Unkovski (“DJ Ahmet”), and Hana Jušić (“God Will Not Assist”), members will “delve into the artistic and emotional calls for of directing.”

The Script Station returns with a refreshed writers’ room format that emphasizes collaboration over competitors. Main this lab are France’s Pisani-Ferry, whose credit embrace “Turning into Karl Lagerfeld” and Netflix’s “Vampires,” and Serbia’s Matija Dragojević, co-author of the Canneseries winner “Awake.” Each convey expertise in serial storytelling, improvement room dynamics, and style innovation, “serving to younger writers perceive defend their voice whereas working collectively.”

The Digicam Studio, led by North Macedonian cinematographer Naum Doksevski, explores visible storytelling as “an act of each empathy and collaboration.” Doksevski’s work, which incorporates Goran Stolevski’s Venice award winner “Housekeeping for Learners” and Georgi M. Unkovski’s Sundance winner “DJ Ahmet,” reflecting “a cinematographic apply which invitations members to method the digicam not merely as a technical instrument, however as an moral and aesthetic extension of the filmmaker’s perspective.”

On the Producers Summit, members will work with Israel’s Katriel Schory, one of the vital skilled and influential figures in worldwide cinema. Schory has supported the manufacturing of over 250 movies and brings “a practical, strategic understanding of stability creative imaginative and prescient with monetary and logistical realities.” His mentorship focuses on the producer’s function as each “facilitator and safeguard,” guaranteeing that artistic groups can operate sustainably whereas navigating the complexities of worldwide co-productions, funding constructions, and cross-border collaboration.

This yr’s Modifying Studio brings collectively rising editors with Bosnia’s Redžinald Šimek, one of many area’s most skilled editors. With a background that spans sound, video and post-production supervision, and contains collaborations with Danis Tanović and Aida Begić, Šimek’s method to modifying “displays a powerful sense of construction and a collaborative working methodology.” The lab focuses on modifying as a “decisive stage the place artistic selections meet sensible constraints.”

Expertise Press, Abilities Sarajevo’s program for rising movie critics and journalists, returns beneath the steerage of Neil Younger. A critic, curator and performer, who has served on juries in Cannes, Berlinale and Venice, Younger brings “sensible experience in crafting insightful, accountable criticism in an trade formed by fast digital discourse and evolving public engagement.”

The Pack & Pitch lab, co-mentored by Gabriele Brunnenmeyer and Nick Davies, “offers important steerage in articulate, package deal, and current a venture.” Brunnenmeyer, a fixture of Europe’s most revered venture improvement labs, corresponding to Midpoint and Rendez-Vouz-Business Cannes, and Davies, a cultural strategist and editor who has collaborated with the Venice Biennale and the Toronto Movie Pageant, as soon as once more lead this program, guiding members as their initiatives evolve and culminate in a closing pitch session for a aggressive award.



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