British composer Laurie Johnson, whose theme for “The Avengers” was among the many most well-known of Sixties spy-show signatures, died in his sleep on Tuesday, Jan. 16, in North London, in line with an announcement from the household. He was 96.
Johnson was among the many final of the outstanding English movie composers lively in the course of the Nineteen Fifties, ’60s and ’70s. He scored “Dr. Strangelove” for Stanley Kubrick in 1964, together with such options as “Tiger Bay” (1959), the Werner von Braun biopic “I Intention on the Stars” (1960) and sci-fi and fantasy movies “First Males within the Moon” (1964) and “Captain Kronos, Vampire Hunter” (1972).
However it was his music for “The Avengers,” the lighthearted and classy teaming of troubleshooters John Steed and Emma Peel, winningly performed by Patrick Macnee and Diana Rigg, that gave him star standing. Johnson got here aboard for the fourth season of the British-made sequence, which aired in America beginning in 1966.
He remained with the sequence after Rigg’s departure and the arrival of Linda Thorson as Tara King within the sequence’ sixth season. Johnson scored nearly each episode, “an unheard-of extravagance,” he as soon as mentioned. “Generally there can be as a lot as half-hour of music to be recorded and synchronized each week. Over the entire sequence I should have composed round 50 hours of music.”
When the identical manufacturing workforce launched “The New Avengers” in 1976, with the returning Macnee teaming with Gareth Hunt and Joanna Lumley for contemporary adventures, Johnson reprised the opening bars of the unique “Avengers” theme however segued into a completely new piece for the sequence. This sequence aired in a late-night time slot in America in 1978.
A lot of Johnson’s best-remembered music, along with “The Avengers,” was for British tv. His recording of the theme for “Prime Secret” made the U.Ok. document charts in 1961. He additionally scored the Shirley MacLaine sequence “Shirley’s World” and the “Division S” spinoff “Jason King” (each in 1971), the anthology “Thriller” (1973) and the favored crime drama “The Professionals” (1977).
And whereas he continued to write down the occasional characteristic movie rating, together with the Glenda Jackson movies “The Maids” (1974) and “Hedda” (1975), it was his ultimate 4 TV motion pictures, all primarily based on Barbara Cartland romance novels, that have been memorable orchestral masterpieces. “A Hazard of Hearts,” “The Woman and the Highwayman,” “A Ghost in Monte Carlo” and “Duel of Hearts,” all starring up-and-coming British actors, aired on CBS and TNT between 1987 and 1991.
Laurie Johnson was born Feb. 7, 1927, in Hampstead, England. He studied on the Royal Faculty of Music and spent 4 years within the Coldstream Guards. A revered arranger of big-band music, he grew to become lively within the British music trade within the Nineteen Fifties and contributed appreciable music to the KPM music library (a few of which could possibly be heard, many years later, within the cartoons “Ren and Stimpy” and “SpongeBob SquarePants”).
He wrote a number of large-scale, non-film works later in his life, together with a “Royal Tour Suite” for army band; the tone poem “The Wind within the Willows”; “Symphony (Synthesis)” for jazz band and symphony orchestra; and a concerto for trumpet, tenor saxophone and orchestra.
The household assertion learn: “Laurie’s music touched the lives of hundreds of thousands around the globe. All through his illustrious profession, he composed quite a few iconic scores, themes and soundtracks that graced our lives throughout movie, TV, theatre and radio. On this time of mourning, we draw energy from the gorgeous recollections we shared with him. We keep in mind Laurie as a unprecedented particular person who embraced life with ardour and introduced pleasure to so many. His kindness, compassion and infectious sense of enjoyable and laughter can be profoundly missed by all that knew him.”
He’s survived by his spouse Dot, a daughter, son-in-law and grandson.