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Teleau Belton Makes History With ‘Now That’s TV’

August 16, 2025
in Black Media
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by Von Boozier Twins

August 15, 2025

Belton is constructing greater than a platform

What occurs when innovation meets audacity? You get Now That’s TV, the unapologetic, Black-owned community based by Teleau Belton that’s making historical past as the primary of its sort to launch an authentic online game and stream dwell fight sports activities. Identified for its unfiltered actuality exhibits and fiercely loyal Gen Z and millennial fan base, Belton is constructing greater than a platform. He’s constructing a cultural motion.

BLACK ENTERPRISE caught up with Belton to speak about what it means to personal your content material, wager in your tradition, and lead a tech-forward revolution in Black media with out gatekeepers and with out apologies.

BE: You’ve made historical past with this growth. What does possession imply to you in immediately’s digital media panorama?

TELEAU: We constructed Now That’s TV to attach the tradition on to the individuals, no intermediary, no gatekeepers, no filter. Possession means having full management over the imaginative and prescient, the message, and the longer term. It means we don’t want permission to inform our tales the way in which they’re meant to be advised, and we by no means must water them down to suit another person’s agenda. In immediately’s digital age, it’s about extra than simply content material. It’s about proudly owning the pipeline, the narrative, and the connection together with your viewers. Every thing we create is actual, uncooked, and unapologetically made for our neighborhood, and we personal each piece of that course of.

BE: From launching an authentic online game to live-streaming boxing matches, what made you wager large on these uncharted territories for a Black-owned community?

Actuality TV was simply the beginning line. I wished to indicate we will win in areas now we have traditionally been excluded from, together with gaming, dwell sports activities, and large-scale occasions. These aren’t random performs; they’re intentional strikes to diversify income, develop our viewers, and show our cultural affect works throughout industries. We aren’t simply making TV exhibits. We’re making a full leisure ecosystem, the place our individuals can see themselves in every single place, from the controller of their arms to the championship belt within the ring.

BE: Many platforms chase tendencies. How do you determine what strikes to make with out diluting your model?

Authenticity is our backside line. We don’t soar on one thing simply because it’s trending. We transfer when it feels proper for our viewers and stays true to our DNA. Our viewers are sensible, they usually can spot clickbait a mile away. We take note of what resonates, then ship it, whether or not it’s the uncooked drama they love or a very new idea. We might slightly set the tendencies than chase them.

BE: What challenges did you face taking Now That’s TV from thought to influence, particularly as an unbiased Black founder in streaming and tech?

The toughest half was constructing and not using a blueprint. We had no buyers, no connections, no trade information, simply an thought, a neighborhood, and the desire to determine it out. There have been moments it felt like strolling blindfolded by a maze, however every flawed flip taught us to maneuver smarter. We realized to problem-solve in real-time, construct our personal infrastructure, and preserve pushing ahead even when the percentages mentioned cease. That grit turned our largest benefit.

BE: Your viewers is younger, loyal, and outspoken. How a lot of your content material technique is pushed by them versus your personal imaginative and prescient?

It’s a 50/50 partnership. We ship precisely what our viewers asks for — the exhibits, personalities, and codecs they love — however we additionally push them to attempt one thing new. A few of our largest hits are issues they didn’t even know they wished till we gave it to them. That stability retains the model contemporary and retains them coming again.

BE: How does Now That’s TV’s progress function a mannequin for different Black creators who wish to construct with out ready for a greenlight?

Our story proves you don’t want permission to create one thing highly effective. We now have taken the hits, made the errors, and found out the components so the following creator doesn’t have to begin from scratch. Each time we stage up, we’re exhibiting that possession, innovation, and cultural influence can begin from the bottom up and nonetheless compete with the most important gamers within the trade. If we will do it and not using a greenlight, they will too.

BE: What do you say to legacy media execs who nonetheless see Black-owned platforms as “area of interest” or not scalable?

I’d inform them to get up. Black-owned platforms aren’t area of interest. We’re trendsetters, market movers, and cultural architects. We now have constructed world audiences which might be loyal and engaged, with out following their playbook. We now have confirmed we will scale, innovate, and lead. And the reality is, we’re solely simply getting began. The longer term will not be going to attend for them to catch up.

For extra info on Now That’s TV and its programming, go to: www.nowthatstvplus.com.

RELATED CONTENT: Males Who XCEL: Troy Taylor To Be Honored At The 2025 ‘XCEL Summit For Males’



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