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Panel at CBCF conference focuses on Black ownership

October 6, 2025
in Black Media
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By Megan SaylesAFRO Employees Writermsayles@afro.com

Black folks have lengthy been on the forefront of shaping tradition— whether or not by music, style, meals, artwork or sports activities— but they hardly ever obtain credit score or requisite financial beneficial properties for his or her contributions. Too usually, the tradition they create is appropriated or exploited with out honest compensation. 

Leisure professionals gathered for a panel dialog on the Congressional Black Caucus Basis’s 2025 Annual Legislative Convention on Sept. 24 to discover how possession and financial energy can be utilized to safe social and monetary capital for Black creators. 

“Right now’s panel is about tradition and creativity but it surely additionally contains commerce,” stated California Congresswoman Sydney Kamlager-Dove. “We can’t let folks separate us from our cash. They need all of our stuff totally free and ask us to dig even deeper and deeper to share with out the suitable compensation, worth and recognition.” 

Kris Lofton (left), American actor; Jermon Williams, co-founder of the Broccoli Metropolis Competition; California Congresswoman Sydney Kamlager-Dove; Eni Popoola, New York-based content material creator; and Monica McNutt, basketball analyst for ESPN, talk about methods for leverage possession, financial energy and cultural contributions to empower Black communities. (AFRO Photograph/Megan Sayles)

Actor Kris Lofton, of “Energy E-book IV: Pressure,” suggested Black artists to take possession of their careers, slightly than depend on others to validate their concepts and expertise or present alternatives. 

He stated that creators might leverage social media functions and different platforms to push out their very own content material. 

“Cease ready on folks. No person’s coming to avoid wasting you,” stated Lofton. “Do it your self as a result of, particularly in my enterprise, you’ll be ready round for that telephone to ring for the remainder of your life should you’re simply sitting there.” 

Nonetheless, Eni Popoola, a New York-based digital creator, warned that Black creators usually face a scarcity of pay transparency and biased algorithms when sharing their content material on social media. She defined that these limitations make it troublesome for Black creators to develop their attain and develop their audiences. 

She inspired creators to have extra open, candid conversations about their earnings and harassed the significance of constructing a trusted workforce that may advocate for applicable compensation. 

“An enormous issue that has helped me really feel like I’m getting my value is having actually good illustration— people who find themselves there seeing the large image, people who find themselves setting the charges and people who find themselves there to name out should you’re not being given what you actually deserve,” stated Popoola. 

Panelists additionally emphasised that creating tradition doesn’t simply have the power to profit a person individual—it might probably additionally advance total communities. Jermon Williams, co-founder of Broccoli Metropolis Competition, defined that his workforce has been intentional about collaborating alongside neighborhood members and native entrepreneurs since they began the music competition.

He famous that within the final 13 years, Broccoli Metropolis has helped Black, small companies in D.C. generate greater than $3 million by its marketplaces and vendor alternatives. The competition has additionally created WeChipN, a social affect platform that rewards folks for participating of their communities. 

Members earn “chips” by volunteering, supporting native companies and nonprofits or finishing different socially-beneficial actions, which might then be redeemed for tickets to concert events and different leisure occasions. 

For Williams, all cultural occasions needs to be investing in methods to strengthen and empower Black communities. 

“If you happen to take a look at Black-owned festivals, they’ve native partnerships arrange that proceed to push that native financial system ahead,” stated Williams. “I feel that’s the blueprint— trying past the competition and utilizing it as a option to hold pouring into our native communities.” 



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