Worldwide movie gross sales company MoreThan Movies has picked up gross sales rights to Ion de Sosa’s “Balearic” forward of its world premiere as a part of the Filmmakers of the Current part on the Locarno Movie Pageant (August 6-16).
“Balearic” begins with a bunch of youngsters on a Mediterranean island who encounter a giant home with a pool and determine to take a bootleg dip that takes a a lot darker flip as soon as three giant canine come to protect the property. From there, Sosa strikes the story a couple of miles away to observe a bunch of rich neighbors gathered at an expensive villa to rejoice the beginning of summer season and St. John’s Eve. Whereas all this occurs, a wildfire breaks close by, inching slowly in the direction of the celebrations as techno music blasts within the background.
Sosa is a director and cinematographer whose earlier movies have premiered at prestigious festivals reminiscent of Berlin (“Androids Dream”) and San Sebastian (“Mamántula”). As a cinematographer, Ion de Sosa has labored on movies reminiscent of “Aliens” by Luis López Carrasco and “The Sacred Spirit” by Chema García Ibarra. “Balearic” stars an ensemble solid together with Luka Peros (“Cash Heist”), veteran Spanish singer Christina Rosenvinge, Manolo Marín (“Love, Hate, and Demise”) and Zorion Eguileor (“The Platform”).
Talking with Selection forward of Locarno, Sosa recollects the primary seeds for the mission coinciding along with his turning 40 and coming into a “kind of midlife disaster.” “I started taking a look at how younger and older individuals talk and in addition at myself critically and questioning what I used to be doing, if any, to make the world a greater place.”
“I began with the concept of younger individuals trapped in a swimming pool and the three canine as Greek symbols of what they needed to overcome as a era: exploitation at work, environmental catastrophe and the lack of liberties,” he provides. “However I didn’t need it to be a survival film, I needed to have a cut up within the movie the place I requested myself the place the adults had been, and the reply was at a celebration.”
As soon as de Sosa had that cut up between the younger and the older, he started taking a look at influences reminiscent of John Huston and David Hockney’s basic “The Swimmer.” “I felt there was an attention-grabbing combination of atmospheres to discover and I appreciated the concept of constructing two parallel worlds that would contact throughout the water however had no different relation.”
Courtesy of MoreThan Movies
Though the movie is known as after the Spanish archipelago within the western Mediterranean Sea, de Sosa needed the story to happen on an imagined island, and shot a lot of the movie in Valencia because of funding streams and ease of logistics. “An island means that you can create a small ecosystem and conditions that may solely occur in that place. Balearic, within the movie, is an invented island, a small universe in itself,” he says.
“We don’t see the ocean,” factors out the director. “Everyone seems to be speaking about it, however we don’t see it. It’s possibly somewhat bit about getting your self misplaced in your privilege and forgetting about the entire world exterior of that. I like this concept of enjoyment from the standpoint of privilege whereas additionally taking a look at new generations and their concentrate on self-enjoyment.”
On this, de Sosa was clearly impressed by the work of acclaimed Swedish filmmaker Ruben Östlund, particularly “Triangle of Disappointment,” however the director additionally highlights Jonathan Glazer’s Oscar-winning “The Zone of Curiosity” as a guiding level of reference for the “masterful” means it toes the road between two starkly totally different worlds that exist as neighbors.
For “Balearic,” de Sosa labored with a number of new collaborators, together with creatives who had not labored on a function movie earlier than. Amongst these, the director highlights cinematographer Cris Neira — who labored in Cinemascope impressed by the work of Sergio Leone — and younger musician Xenia, who wrote the movie’s throbbing techno rating after being approached by the director. “Xenia understood from the start what I needed from the music within the movie,” added de Sosa, highlighting the tightness of the beating music juxtaposed in opposition to the vastness of the cinematography.
Courtesy of MoreThan Movies
Queralt Pons Serra, managing associate at MoreThan Movies, tells Selection they’re “thrilled” to accumulate “Balearic,” calling it a movie that “instantly stood out for its fearless method to style, sharp social criticism and distinctive visible type.”
“Ion de Sosa continues to show himself one of the crucial daring and authentic voices in modern cinema, and we now have lengthy been admirers of his work,” she provides. “With ‘Balearic’, he affords us a hypnotic and unsettling imaginative and prescient that captures with humor and uncanny precision the tensions of a sun-drenched paradise. A thought-provoking movie with a powerful ambition to attach each sensorially and emotionally, depicting the distinctive and singular setting of the Balearic Islands, the place traditionally a various combine of individuals has given rise to very distinctive conditions. We’re honored to assist this distinctive movie and assist deliver it to the viewers it deserves worldwide.”
“Balearic” is produced by Umbracle Cine, Apellaniz y de Sosa and Jaibo Movies in co-production with La Fabrica Nocturna Cinéma. MoreThan Movies is a world movie gross sales company based mostly between Barcelona, Berlin and São Paulo.
