The just lately uncovered social media posts by “Emilia Pérez” star Karla Sofía Gascón during which she attacked, amongst numerous issues — Islam, George Floyd and a extra various Oscars — have thrown an sudden wrench into the awards race.
Inside hours of the historic tweets being resurfaced and translated into English, Gascón apologized, saying she was “deeply sorry.” Issues spiraled additional over the weekend, when the actress did an interview with CNN en Español, booked with out Netflix’s involvement, and addressed the state of affairs (as soon as once more) in an Instagram publish.
However by then, awards soothes had already began rewriting their predictions, and Netflix’s French-made Spanish-language musical a few Mexican drug kingpin who undergoes gender-affirming surgical procedure — beforehand an awards frontrunner, profitable a number of Golden Globes and main the Oscar nominations with 13 — was being scrubbed from lists.
Nearly all the eye since has centered on how this new scandal may affect the Oscars, the place Netflix hoped “Emilia Pérez” can be the golden ticket to its first greatest image win. However how a lot will the noise reverberate throughout the Atlantic, the place the movie goes into the BAFTAs on Feb. 16 and the France’s Cesar Awards on Feb. 28?
Historically, many controversies surrounding stars are contained inside Hollywood and have a lot much less affect abroad; what could also be thought-about poisonous within the U.S. typically isn’t remotely elsewhere.
Kevin Spacey, Woody Allen and Johnny Depp, as an example, proceed to be feted internationally. Even Roman Polanski had his final two films, “An Officer and a Spy” and “The Palace,” world premiere on the Venice Movie Pageant. In France, the place Polanski lives, “An Officer and a Spy” earned him a greatest director prize on the Cesar Awards in 2020, stirring a widespread uproar. However France began totally embracing the #MeToo motion within the final couple years and the Cesar Awards have set new tips to stop any expertise or filmmaker accused of sexual violence from coming into the Cesar race.
Within the fully completely different case of “Emilia Perez,” French voters will seemingly be extra forgiving that American ones as a result of profile of Audiard as one of many nation’s most celebrated administrators. Gascón’s racist social media posts might be counter-balanced by Audiard’s monitor file as a progressive filmmaker whose films have highlighted racism (“A Prophet”) and the wrestle of refugees (“Dheepan”), amongst different social points. And whereas the U.Ok. is actually extra aligned with the U.S. than most different international locations by way of sensibilities and sensitivities, there’s a sense, at the least amongst Brits, that People are extra wrapped up within the “drama” than the artwork kind, particularly in relation to voting.
Emilia Pérez. (L-R) Karla Sofía Gascón as Emilia Pérez and Adriana Paz as Epifanía in Emilia Pérez. Cr. Shanna Besson/PAGE 114 – WHY NOT PRODUCTIONS – PATHÉ FILMS – FRANCE 2 CINÉMA © 2024.
Shanna Besson/PAGE 114 – WHY NOT
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“I believe BAFTA tends to look previous the bullshit — they normally choose the movies primarily based on advantage and don’t get caught up within the politics and the marketing campaign of all of it,” notes one London-based awards publicist. “Whereas for the Academy, they have an inclination to maneuver in herds and suppose it’s extra than simply the movie — it’s concerning the timing and political maneuvering.”
As one other seasoned marketing campaign skilled notes, the tweets by Gascon — whereas rightly condemned as abhorrent — are “extra particular to the U.S.”
Let’s take for instance her feedback about George Floyd, during which she described him as a “drug addict swindler” in an extended thread simply days after a police officer killed him. The Black Lives Matter protests his demise sparked grew to become a world occasion, particularly within the U.Ok., however because the awards strategist suggests, her assault on him “feels much more private to People.”
There’s additionally a way that British voters “don’t prefer to be advised the way to vote or what their very own values are,” the strategist claims. “They don’t wish to be advised: You’re within the mistaken in case you vote for this particular person.”
However few consider Gascón’s tweets may be swept beneath the carpet and forgotten. “Even within the U.Ok., I don’t suppose they are often ignored,” says the campaigner. “I don’t know the way folks can simply ignore that and go, ‘It’s advantageous!’”
However how may this affect the place the person BAFTA honors go on the night time itself?
With closing voting presently underway and shutting on Feb. 11, regardless of its haul of 11 nominations, many awards watchers don’t view “Emilia Pérez” as a “lock” in any class.
It’s in all probability a stretch too far for the movie to win greatest movie or director when “Conclave” from Edward Berger — whose final movie “All Quiet on the Western Entrance” cleaned up with 9 BAFTAs — and Brady Corbet’s historic 215-minute epic “The Brutalist” really feel like way more BAFTA-friendly choices. Notably, the momentum behind Demi Moore’s work in “The Substance” had seemingly already pushed her forward of Gascón for greatest actress.
Gascón’s co-star Zoe Saldaña is taken into account a favourite for greatest supporting actress. On the identical time, the movie itself is predicted to take dwelling the prize for movie not within the English language.
One pundit suggests the fallout could push BAFTA voters — who typically choose homegrown expertise anyway — towards native alternate options. If true, that would enhance Felicity Jones or Isabella Rossellini as supporting actress and “Kneecap” for overseas language. “I simply suppose it’s actually exhausting to have fun one thing that feels sort of untouchable in the meanwhile,” they add. That stated, Selection understands that Netflix nonetheless believes “Emilia Pérez” is a powerful competitor in a number of classes.
After all, many British Academy members could have already made their selections, with the ultimate spherical of BAFTA voting opening on Jan. 22. An insider explains that there’s typically a rush of votes initially from those that “simply don’t wish to neglect,” however — in information that doesn’t assist the “Emilia Pérez” crew — there’s a “enormous wave on the finish — that final weekend is essential.”
Whereas “Emilia Pérez” could seem to have misplaced its footing, something can occur in an unpredictable awards race if the eruption has proved something. At the very least within the subsequent week, anyway.