German writer-director Hille Norden makes her debut with “Simple Woman,” a candy-colored, flamboyant and deeply private movie about trauma, friendship and survival. Its worldwide gross sales repped by Reason8 on the American Movie Market, the movie could have its worldwide premiere within the First Function part at Tallinn Black Nights Movie Pageant (PÖFF).
Written and directed by Norden, whose screenplay was shortlisted for the German Script Award in 2022, “Simple Woman” follows the story of Nore, a free-spirited femme fatale in her mid-twenties who was the sufferer of sexual assault as a lady. When she reunites with childhood schoolmate Jonna a decade later, their friendship turns into a journey by means of need, ache and therapeutic.
Newcomer Dana Herfurth (“The Disappearance of Josef Mengele”) stars as Nore, with Luna Jordan (“Euphorie”) enjoying the reserved medical scholar Jonna.
What begins as a haze of alcohol, cigarette-fuelled hedonistic events progressively shifts right into a painful excavation of reminiscence, as Jonna begins to see by means of Nore’s assured floor and uncovers the injuries that gasoline her reckless pursuit of intercourse.
Norden’s palette is playful and vibrant, the lavish, horny attire which Nore sews for his or her nights out reflecting each her vitality and her vulnerability.
Her objective, she tells Selection, is to indicate that magnificence, ache and humor can coexist in tales about survival and self-definition.
“I needed to make a movie that, wherever there’s house for it, is enjoyable and entertaining, in order that, regardless that the subject is sinister, it’s wrapped in one thing good.
“I don’t consider you may flip shit into gold,” she provides. “If you happen to have a look at gruesomeness and paint it with glitter, the gruesomeness doesn’t disappear. However you added one thing lovely. And that makes it a little bit bit simpler to cope with it. That is what I did in my life. And that is what I did in my film.”
That steadiness between magnificence and brutality runs by means of the movie. “Magnificence is subsequent to the abyss,” Norden displays. “And violence could be very near happiness. That is additionally why Nore [as a survivor of trauma] continues mixing issues up: she consistently confuses love with violence. Each of these issues are very shut: it’s a survival mechanism.”
“Simple Woman” revisits the “Lolita” archetype from a distinctly feminine perspective, reframing the notions of need, consent and company, leaving little doubt that for her intercourse with a feminine youngster, regardless of the circumstances, is abuse.
Mirroring the messy, non-linear technique of therapeutic, the movie strikes backwards and forwards between previous and current, between actuality and Nore’s reminiscences, highlighting the gray zones of trauma and restoration.
“I needed to indicate you can discuss it and nothing occurs: You possibly can have a boyfriend, you may work, you generally is a filmmaker. You will be something. And there’s no disgrace in having survived sexual violence,” she says. “I understand how it feels to be so very ashamed of it. Nevertheless it really is unnecessary. And I consider that the disgrace that I used to really feel was the disgrace of the perpetrator.”
That theme of self-acceptance lies on the movie’s emotional core, an interior reckoning that marks the turning level when Nore begins to like herself and permits others to like her. “We [survivors] consider that it’s very exhausting for others to like us with the traces of abuse on us.
“The very last thing you need to do is say, ‘Yeah, I’m good the way in which I’m as a result of I’m formed by any person breaking my will,’” she says. “However ultimately you notice you’re not a lot formed by that incident, however by your decisions. And it’s simply very exhausting to unlearn that violence will not be love. However it’s potential. These wounds can certainly be healed.”
Wanting forward, Norden is creating two fiction tasks: one exploring how love and intimacy have advanced over the previous twenty years amid shifting gender dynamics, and one other born of her collaboration with the German army, geared toward bridging the divide between civilian and army views in Germany.
“Simple Woman,” which bowed at Filmfest Hamburg in September beneath the title “Smalltown Woman,” is produced by Leitwolf Filmproduktion and Kinescope Movie, with ZDF/Das Kleine Fernsehspiel as co-producer.
The movie has its worldwide premiere at Tallinn Black Nights on Nov. 18.
