Wes Anderson’s “Asteroid Metropolis,” contemporary from its triumphant world premiere on the Cannes fest, opens the thirty eighth Guadalajara Movie Pageant (FICG) which touts new sections this yr, together with a branded collection showcase and midnight screenings of Italian fright maestro Dario Argento’s horror movies.
Eva Longoria’s function directorial debut, “Flamin’ Sizzling,” which had its West Coast premiere on the LA Latino Movie Pageant (LALIFF) Could 31, marks its Mexican debut on the fest.
The Collection Showcase consists of Patricia Martinez’s fact-based “La Narcosatánica,” which can stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande manufacturing, which facilities on inmates in a Mexican jail who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Everlasting Reminiscence” additionally vies for a prize within the competition’s documentary sidebar.
In accordance with competition director Estrella Araiza, the competition has recovered its funding and can display screen a complete of 170 movies on this version. “Documentaries are very sturdy and prolific this yr however the fiction movies are simply pretty much as good and assorted,” she mentioned.
FICG’s fast-expanding animation part is highlighted by the screening of the acclaimed “Black is Beltza II: Ainho,” Fermin Muguruza’s deep dive into Basque tradition and the independence actions of ‘80s Spain. Rising Mexican animation expertise Rita Basulto screens her quick “Humo” within the competition’s Premio Rigo Mora sidebar which awards the winner with 200,000 Mexican pesos ($11,000+) and a statuette. The winner is eligible for consideration within the Academy Awards’ animated quick movie class.
Jesse Garcia and Dennis Haysbert in FLAMIN’ HOT. Photograph by Anna Kooris. Courtesy of Searchlight Photos. © 2023 twentieth Century Studios All Rights Reserved.
Anna Kooris / Courtesy of Searchlight pcitures
The competition pays homage to its late founder and chairman of the board of Trustees, Raul Padilla, with varied occasions, together with the exhibit “Peninsula, Views of a Mexican traveler by way of Italy,” a retrospective of movies that he supported, an exhibition of portraits and “Letters to Raúl,” an open area to share recollections. The Premio Maguey “M” award may even be devoted to him.
Lorena Padilla’s soulful “Martinez,” which shot in Jalisco, competes in each the Made in Jalisco in addition to the principle Premio Mezcal sections. Bought by Paris-based Luxbox, “Martinez” first screened on the competition’s pix-in-post showcase, Guadalajara Construye.
The Premio Mezcal additionally takes in Sofia Auza’s debut function “Adolfo,” a Berlin Technology 14plus winner, and David Zonana’s well-reviewed army academy drama-thriller “Heroic.”
Adolfo
Except for “Flamin’ Sizzling,” different movies marked by galas are Berlin winner “20,000 Species of Bees by Spain’s Estibaliz Urresola, “Strays” by Josh Greenbaum and “Whenever you End Saving the World” by Jesse Eisenberg.
Italy is the Nation of Honor for the third time, with helmer-scribe Paolo Genovese (“Good Strangers”) serving as a juror and delivering a Grasp Class together with Roberto Perpignani whose stellar enhancing credit embody Bernardo Bertolucci’s “Final Tango in Paris” and Orson Welles’ “The Trial.”
This version sees the return of Italian Screens, a showcase of the perfect of Italian cinema overseas.
FICG 2023 runs June 3 – 9.
thirty eighth FICG OFFICIAL SELECTION
PREMIO MEZCAL
FICTION
“Adolfo,” Sofía Auza (México, U.S.)
“Amor y matemáticas,” Claudia Sainte-Luce (México)
“Heroico,” David Zonana (México, Sweden)
“Martínez,” Lorena Padilla (México)
“Mujeres del alba,” Jimena Montemayor Loyo (México)
“Rabia,” Jorge Michel Grau (México)
DOCUMENTARY
“Ch’ul be, senda sagrada,” Humberto Gómez Pérez (México)
“La frontera invisible,” Mariana Flores Villalba (México)
“Kenya,” Gisela Delgadillo (México)
“Toshkua,” Ludovic Bonleux (México, U.S., France)
“Una jauría llamada Ernesto,” Everardo González (México)
IBERO-AMERICAN FICTION
“20,000 especies de abejas,” Estibaliz Urresola Solaguren (Spain)
“Almamula,” Juan Sebastián Torales (Argentina, France, Italy)
“Las buenas compañías,” Silvia Munt (Spain, France)
“Diógenes,” Leonardo Barbuy La Torre (Peru, France, Colombia)
“Nice Yarmouth – Provisional Figures,” Marco Martins (Portugal, UK, France)
“Las hijas,” Kattia G. Zúñiga (Panama, Chile)
“La pecera,” Glorimar Marrero-Sánchez (U.S., Puerto Rico, Spain)
“La piel pulpo,” Ana Cristina Barragán (Ecuador, México, Greece, Germany, France, Italy)
“Tengo sueños eléctricos,” Valentina Maurel (Belgium, France, Costa Rica)
IBERO-AMERICAN DOCUMENTARY
“Ara La Llum Cau Vertical,” Efthymia Zymvragaki (Spain, Germany, Italy, Netherlands)
“Los Bilbao,” Pedro Speroni (Argentina)
“El castillo,” Martín Benchimol (Argentina, France)
“Fauna,” Pau Faus (Spain)
“Isla Alien,” Cristóbal Valenzuela Berrios (Italy, Chile)
“Llamadas desde Moscú,” Luis Alejandro Yero (Cuba, Germany, Norway)
“La memoria infinita,” Maite Alberdi (Chile)
“Notas para una película,” Ignacio Agüero (Chile, France)
“O auto das ánimas,” Pablo Lago Dantas (Spain)
“Samuel y la luz,” Vinícius Girnys (France, Brazil)
PREMIO MAGUEY
“20,000 especies de abejas,” Estibaliz Urresola Solaguren (Spain)
“Almamula,” Juan Sebastián Torales (Argentina, France, Italy)
“Las buenas compañías,” Silvia Munt (Spain, France)
“El castillo,” Martín Benchimol (Argentina, France)
“Cross Dreamers,” Soledad Velasco (Argentina)
“Desperté con un sueño,” Pablo Solarz (Argentina, Uruguay)
“In Mattress,” Nitzan Gilady (Israel)
“Kenya,” Gisela Delgadillo (México)
“Kokomo Metropolis,” D. Smith (U.S.)
“Little Richard: I Am Every part,” Lisa Cortés (U.S.)
“Liuben,” Venci D. Kostov (Bulgaria, Spain)
“Llamadas desde Moscú,” Luis Alejandro Yero (Cuba, Germany, Norway)
“Medusa Deluxe,” Thomas Hardiman (U.Okay.)
“Mutt,” Vuk Lungulov-Klotz (U.S.)
“Passages,” Ira Sachs (France)
“Until the Finish of the Night time,” Christoph Hochhäusler (Germany)
ANIMATION FEATURES
“Artwork School 1994,” Liu Jian (China)
“Black is Beltza II: Ainhoa,” Fermín Muguruza (Spain, Argentina)
“Blind Willow, Sleeping Lady,” Pierre Földes (France, Canada, Netherlands, Luxembourg)
“Hen for Linda,” Chiara Malta, Sébastien Laudenbach (France, Italy)
“Little Nicholas – Pleased as Can Be,” Amandine Fredon, Benjamin Massoubre (France, Luxembourg)
“No Canines or Italians Allowed,” Alain Ughetto (France, Switzerland, Italy, Bélgium, Portugal)
“Un reino para todos nosotros,” Miguel Ángel Uriegas (México)
SERIES SHOWCASE
“La Narcosatánica,” Patricia Martinez (Mexico)
“Libre de reír,” Maite Alberdi (México); two episodes
“El present,” Diego Enrique Osorno (México)
“La vida de nosotras,” Bárbara Barrera Morales (Chile)
