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Community mourns loss of Houston’s graffiti park

June 28, 2025
in Black Media
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Regardless of a $500,000 pledge from the Texas Division of Transportation (TxDOT) to assist artists relocate and rebuild, the lack of Houston’s iconic “Graffiti Park” nonetheless hits arduous for the group that created it.

Lots of the artists plan to make the most of the funding, however they are saying what was destroyed can’t merely get replaced.

“This was an interactive piece. Individuals got here right here for graduations, for weddings, for reminiscences,” mentioned Daniel Anguilu, one of many park’s authentic creators. “Typically you create issues that you just don’t understand how they’ll tackle a lifetime of their very own. That’s what this was.”

Now, the warehouse at 2011 Leeland Road—as soon as coated in colourful murals of George Floyd, Selena Quintanilla and tributes to Houston’s rap scene—has been lowered to rubble as a part of TxDOT’s I-45 growth venture. For a lot of, it was a inventive sanctuary and cultural landmark.

A plan for what’s subsequent

Anguilu, who additionally runs the Harrisburg Artwork Museum, mentioned he has submitted a proposal to TxDOT for a brand new initiative that may protect Houston’s road artwork historical past whereas serving as an academic and cultural hub. However he careworn that any future venture should embrace deeper collaboration with the artists who helped form the town’s inventive id.

“I’m hopeful now that they know who I’m, we will work collectively,” he mentioned. “However we’d like native enter. That may’t be skipped subsequent time.”

TxDOT has confirmed it is going to allocate $500,000 to help future artwork and tradition initiatives, although particulars on how that cash can be distributed haven’t but been finalized.

A cultural landmark misplaced

The Leeland Road constructing was a part of Houston’s thriving road artwork scene for greater than a decade. Created by Anguilu and two others, developed into a worldwide attraction, drawing vacationers, photographers and fellow creatives from all over the world.

Anguilu, who immigrated from Mexico Metropolis, was the primary to color the warehouse’s partitions greater than 12 years in the past. His murals grew to become recognized for his or her vibrant colour, summary shapes and highly effective cultural themes. Over time, the constructing grew to become a residing canvas that honored Houston’s music legends, social justice actions and group pleasure.

“We didn’t have a spot to color,” he recalled. “We had a pal renting the constructing, and he gave us the chance. We began one thing that didn’t exist—and constructed tradition round it.”

Artists communicate out

Pictures of the cultural hotspot being lowered to rubble was heartbreaking for a lot of. Courtesy: 7Th1rt3en Tradition

On social media, the response to the demolition was swift. Many shared reminiscences, images and expressions of grief, together with Anguilu. He posted a message to Instagram calling the positioning “one of many largest and oldest artwork initiatives in Houston, purely run from artist to artist.”

“It has change into a web site visited by 1000’s,” he wrote, “and sadly, there was no dialog with us concerning the future or documentation of this iconic place for creativity.”

The positioning was additionally dwelling to the well known “Houston is Impressed” mural, created by artist GONZO247 in 2013. Commissioned as a part of a nationwide marketing campaign to advertise Houston as a cultural capital, it stays essentially the most photographed mural within the metropolis, in keeping with Downtown Houston.

On Reddit, Houstonians mourned the loss.

“That is really so tragic. A Houston staple,” one consumer wrote. “I used to like going to the hip-hop classic flea market right here. Felt like I used to be a real a part of Houston.”

One other added, “The art work was wonderful. I want a few of it may’ve been preserved. Houston is lucky to have such gifted artists, and so lots of their efforts needs to be round for years to return.”

A bigger dialog

The I-45 growth venture, also referred to as the North Houston Freeway Enchancment Mission, is anticipated to reshape main components of the town’s panorama by realigning the freeway and eradicating dozens of constructions in its path, which incorporates the constructing that housed Graffiti Park.

The lack of Graffiti Park comes shortly after the demolition of a Third Ward constructing that featured a mural of George Floyd, Black Lives Matter messaging and tributes to Sandra Bland and Breonna Taylor.

Whereas some artists say they had been caught off guard by the demolition, TxDOT maintains that discover was offered effectively upfront.

“We’ve at all times given group members advance discover of our intentions with the buildings and the property—even to the purpose of nonetheless permitting restricted entry as we addressed safety issues,” TxDOT mentioned in an announcement. “This was not months within the making however a number of years.”

The division added that it welcomes questions and goals to offer clear, correct responses. “We need to be useful for the story, however we need to be assured that the narrative is just not directed by of us who proceed to offer info that isn’t fully correct.”

“I feel we’ll ultimately discover some other place to color our legends, but it surely doesn’t take away from the truth that it harm the group. These murals had been like landmarks.”

Malyrik Musik

Whereas TxDOT defends the I-45 venture as needed infrastructure improvement, artists and group advocates argue that Houston’s progress is coming at a steep cultural price.

Malyrik Musik, founding father of 7Th1rt3en Tradition—a platform that paperwork Houston’s inventive historical past—acknowledged the state’s gesture of help however mentioned the harm has already been executed.

“I don’t assume it was ill-intended by the town as a result of they supplied $500K to artists to repaint elsewhere,” Musik mentioned. “I feel we’ll ultimately discover some other place to color our legends, but it surely doesn’t take away from the truth that it harm the group. These murals had been like landmarks.”

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