by Von Boozier Twins
July 15, 2025
Movie and TV financing has lengthy been an unique membership dominated by legacy establishments. However Jon Gosier is rewriting the script and doing it on his phrases.
As founder and CEO of FilmHedge, a fintech platform that gives as much as $25 million per manufacturing in non-public credit score, Jon Gosier is opening new pathways for traders, particularly these outdoors the Hollywood bubble, to share in one of many leisure business’s most worthwhile areas. Since launching in 2020, FilmHedge has invested greater than $200 million into movie and TV productions, proving that innovation, entry, and inclusion can thrive on the intersection of finance, leisure, and expertise.
BLACK ENTERPRISE sat down with Jon Gosier to discover how he’s de-risking investments in Hollywood, empowering underrepresented creatives, and shifting the ability dynamic in a multibillion-dollar business.
BE: What impressed you to launch FilmHedge, and the way does it problem conventional fashions of movie and TV financing?
JON: In 2017, I had simply offered an organization. With extra free time and new cash, I wished to discover one thing completely different. So, I invested in a $10 million sci-fi movie referred to as Skylines (2019).
In tech, it usually takes 5 to 10 years to start out an organization, develop it, and efficiently exit. However with this movie, I acquired my cash and earnings again in simply six months. I couldn’t consider it. That have made me ask: Why don’t extra folks finance movie and tv?
That query led to the creation of FilmHedge. Since then, we’ve raised over $350 million to make movie and TV investing accessible to accredited traders and, most significantly, protected. Our group has financed greater than 50 productions with a median funds of $15 million, reaching a 100% reimbursement price with zero investor losses. Our companions earn between 15% to twenty% on every deal.
BE: As a Black founder in fintech and leisure, what boundaries did you face getting into this area, and the way did you overcome them?
The primary barrier is psychological. An amazing entrepreneur is mostly a tireless downside solver. Regardless of your background—Black, white, Asian, something—you’ll face obstacles. Once I accepted Ernst & Younger’s 2025 Entrepreneur of the Yr Award in Georgia, I informed the room, “Entrepreneurship is a mindset.”
The movie and TV world is notoriously gatekept. The information wanted to succeed isn’t shared. I needed to deconstruct all the pieces by first investing my very own cash, then proving to institutional gamers —these with billions to allocate —that I knew tips on how to shield their capital. Imagine it or not, not shedding cash is commonly extra essential to them than making it.
BE: Many traders nonetheless view movie as a high-risk funding. How does FilmHedge work to shift that notion?
Buyers usually deal with movie like they deal with tech startups. They wager on a good suggestion and a charismatic founder and hope the remaining falls into place. However movie is nearer to commerce finance than tech.
Consider it this fashion: the film is the product. The filmmaker is the producer. Our job is to fund the manufacturing till the ultimate product is delivered to a purchaser akin to Netflix, Amazon, or Sony. As soon as that occurs, they pay us again. They tackle the danger of whether or not it sells, not us.
So, the concept movie is at all times dangerous? It’s only a misunderstanding of how movie finance works.
BE: Why did you select to construct FilmHedge in Atlanta as a substitute of relocating to Hollywood or Silicon Valley?
Humorous sufficient, in 2018, I nearly moved to Santa Monica. I had even positioned a suggestion on a home. However then I stepped again and seemed on the panorama.
Hollywood has been on the high of the business for over 100 years. Atlanta, alternatively, the place I grew up, was on the rise. Extra individuals are transferring right here. The economic system is booming. The movie and TV business is increasing quickly. And nobody else was doing what I used to be planning in Atlanta.
It made good sense to remain. The town had momentum, and I wished to be a part of constructing one thing from the bottom up.
BE: How does FilmHedge guarantee fairness and entry for various filmmakers and producers?
Hollywood has by no means been recognized for fairness. It’s lengthy been managed by gatekeepers with deeply embedded networks.
At FilmHedge, we’ve damaged down these boundaries by making our platform accessible to everybody. Any producer can contact us or submit a undertaking by our web site. And extra importantly, our standards are constant, whether or not you’ve made 100 films or are simply beginning out.
We’re one of many solely financing corporations at this degree that actually ranges the enjoying area for various and rising expertise.
BE: With over $200 million directed to productions, what impression have you ever seen financially and culturally?
We’re pleased with the impression we’ve had. Over 40% of our funded initiatives have been led by ladies producers, and greater than 20% by Black producers. Many had been first-time filmmakers, receiving a median of $5 million per undertaking.
One latest instance is The Dutchman, directed by Andre Gaines and starring Zazie Beetz, Aldis Hodge, and Kate Mara. The solid and crew had been predominantly folks of coloration.
We additionally push A-list productions to shoot in underserved areas. In 2024 alone, we financed 10 options, eight of which filmed in low-income communities utilizing state financial improvement applications. That results in native jobs, infrastructure boosts, and actual change. Movie finance isn’t only for celebrities. It may possibly uplift whole neighborhoods.
BE: What recommendation do you have got for aspiring Black entrepreneurs who wish to sit on the intersection of tech, finance, and leisure?
Be taught to deconstruct techniques, whether or not it’s enterprise, legislation, media, or tradition. Don’t simply assume one thing is damaged or stacked in opposition to you. Perceive the way it works first.
When you grasp the mechanics, you could find your function and start to map out a path for change. The individuals who win on this area aren’t at all times the loudest. They’re those who examine the sport earlier than they make their transfer.
To be taught extra about Jon Gosier or FilmHedge, go to: www.Filmhedge.com
RELATED CONTENT: Nigerian Fintech Raenest Lands $11M Funding From QED To Advance Cost To Africa’s Distant Employees
