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Noomi Rapace Talks ‘Angry’ Public Image, Calls for MorMoney for Swedish Film

January 29, 2026
in Black Media
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Noomi Rapace mentioned her “offended” public picture at Sweden’s Göteborg Movie Competition.

“The primary time I went to the U.S., properly, the People might be blunt. They might say: ‘Oh, you might be humorous. You aren’t offended and aggressive.’ I went: ‘Why would I be?’ Everybody thought I might be silent and grumpy, able to struggle and argue about every part, and I by no means acknowledged myself in that description,” she laughed. 

“I used to have a whole lot of rage in direction of myself once I was youthful, after which due to ‘Millennium’ and my experimental stage performs [people saw me in a certain way]. My characters are on hearth and on the sting of insanity, and that’s me – however that’s not solely me.”

“I listened to an interview with Jim Carrey as soon as. He stated that some folks will cowl and disguise their ache with laughter and smiles. And I’ve been doing that extra in actual life.”

Rapace met with the viewers after the screening of Teona Strugar Mitevska’s “Mom,” during which she performed Mom Teresa.

“Typically you enable the character to maneuver into your coronary heart and your thoughts. They may put a mark on you and a few stays of them will keep. Some keep endlessly, and she or he’s one in every of them. There’s a earlier than and after.”

Different characters she beloved?

“Lisbeth Salander, positively, as a result of she was one of many first ones that lived in me and that basically outlined me. Perhaps Elisabeth Shaw in [Ridley Scott’s] ‘Prometheus’ and Maria in ‘Lamb’. And my character in ‘Constellation’. It was about motherhood and being away for too lengthy, and realizing your youngster shouldn’t be actually your youngster anymore. It has been my largest worry: chasing you dream and having a baby ready for you.” 

She stated: “They’re all challenged by themselves and the world, and it’s an everlasting battlefield.” 

 In an interview with Selection on the Venice Movie Competition, Strugar Mitevska stated she needed to “demystify the right saint.” 

“Noomi’s sturdy and audacious, and it’s evident. However no person is simply sturdy and ferocious, and no person is only a saint. We needed to discover her fragility and her imperfections. Her human facet, her imperfect facet, her infantile facet, her obsessive facet.”

Today, Rapace is working towards “being within the current.”

“Am I stressed? Sure. What’s satisfaction, anyway? Satisfaction is when you’ve got a peaceable thoughts and also you’re having your espresso within the morning. It’s arduous to search out peace and stillness. I can have moments of satisfaction once I obtain one thing that was scary to do. It has been, presumably, a worry: for those who get too snug, you lose your drive. I’ve been at all times pushing myself, as a result of I don’t wish to be snug.”

She determined to good her English after initially feeling like a “goal” at worldwide occasions.

“I’m stressed, as I stated, and I’ve good focus. I used to be so embarrassed on the first press convention for ‘The Woman with the Dragon Tattoo’, as a result of I didn’t perceive the questions. I felt so weak.”

“It’s a shift when a language turns into yours. You begin to really feel there’s no distance. You’ll be able to’t actually act for those who’ve simply realized the strains in a overseas language as a result of you haven’t any freedom. It’s not yours. It was a silent and secret journey I went on.”

Nonetheless, at one level, she felt bored with “huge studio system” and began to “crave” European cinema once more.

“After I landed in Iceland [for ‘Lamb’], I used to be like: I’m precisely the place I’m purported to be. On the second day, I used to be ready in my trailer for the farmer to come back and provides me an indication when the lamb was coming. He was like: ‘If you see the top, you simply put your complete hand within the sheep and pull out the lamb.’ I requested: ‘Inside the sheep’s vagina? With out gloves?’ That was me reconnecting with European cinema,” she joked.

“I might scent the within of her for weeks. I believed: ‘I’m again’.”

“You don’t at all times have to hit these heavy numbers. You don’t at all times want to draw an enormous viewers. You’ll be able to even have the liberty to discover.”

She’d wish to make a undertaking in Swedish quickly, nevertheless, and to see extra native initiatives getting assist regardless of ongoing challenges with financing. 

“Give us more cash!” 

“It’s actually fairly easy. If you happen to have a look at Norway or Denmark, and the way they embrace their expertise, they’ve films at Cannes, Venice, Sundance. They’re nominated for Oscars. We’ve that expertise on this nation, too. It’s heartbreaking that they don’t get extra assist. It’s frankly silly.” 

“We’re happy with our Swedes, so let’s get them on the world stage. Let’s give them instruments in order that they’ll make extra noise. It’s time for it.” 

Accepting the award, Rapace devoted it to her son. 

“This morning, I used to be considering that 28 years in the past, I handed this very constructing. I went to high school a few hours exterior of Goteborg, however I used to come back right here to observe films, dreaming of a life as an actress. And right here I’m” she stated. 

“This award is a lot larger than me. There are so many individuals behind me: My lecturers, my mentors, and people round me. Administrators, actors, producers – the checklist is so lengthy. I can’t discuss everybody, so I made a decision to talk about one individual in the present day: my son Lev, who has been my closest witness and my truth-teller. Who has grounded me and guided me, and who has been the individual I learnt from probably the most. He at all times holds me accountable, makes me wish to be braver and go additional.”

Göteborg’s inventive director Pia Lundberg stated that Rapace “has formed a physique of labor outlined by presence, braveness and uncompromising authenticity.” 

“Throughout genres, languages and cinematic traditions, she has portrayed characters pushed by necessity moderately than conference. Whether or not in intimate arthouse dramas or large-scale worldwide productions, Noomi Rapace brings a uncommon bodily and emotional dedication to her roles. Her work doesn’t search consolation, however understanding.”



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