For 45 years, the Lula Washington Dance Theatre has been a cultural power rooted in motion, resistance, and group.
On August 23, the internationally acclaimed firm will rejoice its milestone anniversary with a efficiency on the Ford Theatre that guarantees to honor the previous, encourage the current, and uplift the long run.
“It’s extraordinary to be right here 45 years later,” stated co-founder and creative director Lula Washington. “We’ve survived every part—funding challenges, a pandemic, cultural shifts—as a result of we consider dance is a therapeutic power. It uplifts people, communities, and the world.”
The upcoming Ford efficiency will characteristic a various and deeply curated program, highlighting works of social commentary, cultural reminiscence, and religious restoration.

The night will embrace choreography by iconic voices equivalent to Donald McKayle and Martha Graham, alongside Lula’s personal newest creation, “The Grasp Plan”—a world premiere impressed by the religious jazz of Pharoah Sanders.
“My work has at all times been rooted in storytelling and social points,” Lula stated. “I don’t have thousands and thousands to donate, however I do have dance—and that’s my providing to the world. ‘The Grasp Plan’ is about discovering peace, love, and your particular person self in a chaotic world. It’s a message all of us want proper now.”
The piece can be carried out with reside music, together with the vocals of Dwight Trible, and options dancers utilizing vibrant orange material to represent religious power and chakra therapeutic.
“Every dancer turns into a messenger, bringing peace and like to the viewers,” Lula added. “It’s motion as drugs.”
Becoming a member of Lula in shaping the corporate’s subsequent chapter is her daughter, Tamica Washington Miller, who now oversees a lot of the corporate’s operations and outreach.
“It is a legacy celebration,” Tamica stated. “We’re showcasing not solely my dad and mom’ physique of labor, but additionally the relationships and cultural bridges we’ve constructed over time.”
This system consists of excerpts from McKayle’s “Songs of the Disinherited,” that includes the beloved solo “Angelitos Negros,” in addition to “Mourner’s Bench” from choreographer Talley Beatty’s “Southern Landscapes.”
Each works, Tamica notes, are “resistance items” that carry historic and emotional weight.
The corporate additionally acquired uncommon approval from the Martha Graham Dance Firm to carry out two of Graham’s lesser-seen solos: “Deep Track” (1937) and “Satyric Competition Track” (1932), each initially created in response to international upheaval.
“I used to be excited to be taught that these solos have been additionally acts of resistance,” Lula stated. “That made them good for our program. They converse to what we’ve at all times stood for.”
Government director Erwin Washington, Lula’s husband, and co-founder has performed a pivotal function behind the scenes for many years.

“Lula dealt with the inventive. I dealt with the grants, proposals, and constructing partnerships,” Erwin stated. “We have been at all times a workforce, even when it meant answering telephones ourselves and working the workplace from scratch.”

Even throughout COVID, when many arts establishments have been compelled to close their doorways, the corporate tailored. “We needed to innovate. We didn’t cease,” stated Tamica. “We discovered methods to remain linked, to maintain coaching, to maintain serving the group.”

From their studio on Crenshaw Boulevard to worldwide phases, the Lula Washington Dance Theatre has held quick to its mission of telling tales by dance, particularly these too typically erased.
“Dance is activism. It’s how we converse when others gained’t hear,” stated Tamica. “Our Ford efficiency isn’t just a present—it’s a celebration of 45 years of survival, creation, and Black excellence.”
Tickets for the anniversary celebration can be found now on the Ford Theatre field workplace and web site. The night is anticipated to attract longtime followers, new audiences, and humanities leaders from throughout the area.
“Whether or not you’re an artist, an immigrant, or simply somebody looking for peace on this world,” Lula stated, “we hope our dance provides you just a little mild. Simply include an open thoughts—and let the motion converse for itself.”


















