Pomona’s Artwork District is aware of methods to set the temper. On the primary Saturday of February, underneath dim lights and in opposition to a backdrop of a reside heavy steel financial institution and bookshelves, a crowd gathered at Café Con Libros Press for an evening that was something however extraordinary. Poetry. Music. Drinks. Coronary heart-shaped treats and a room stuffed with lovers of language. Poetry After Darkish, a grown and horny open mic, kicked off Lovers’ Month with a celebration of phrases, rhythm, and uncooked, uninhibited reality.
For 5 years operating, writer and artist James Coats has curated and hosted this occasion, which has been the go-to for these craving poetry with somewhat extra warmth, somewhat extra wit, and an entire lot of fireplace. Not all poetry is supposed to be comfortable and delicate. Poetry After Darkish is the place for poets and lovers of language to indulge within the sultry facet of storytelling.
Take the unfiltered and sensual artistry of printed featured poets Josue Muñoz and Anastasia Fenald. They didn’t shrink back from delivering the reality wrapped in intelligent, spicy prose. Whether or not teasing the viewers with sultry imagery or hitting them with strains that minimize to the bone, their phrases linger like a gradual sip of whiskey: easy, daring, and intoxicating.
Associated Tales:
https://lasentinel.internet/sims-library-of-poetry-fundraising-gala-a-celebration-of-poetry-and-a-call-to-action.html
https://lasentinel.internet/south-african-anti-apartheid-veteran-tapped-for-top-poetry-prize.html
After which there was Cynthia Younger.
Calling Cynthia a poet doesn’t fairly do her justice. She is a power, a presence, a lady totally unafraid of herself and her wishes. Cynthia doesn’t simply write horny—she is horny. She delivers her poetry like a secret meant only for you, besides she needs everybody to listen to it.
She owned the stage with a confidence that silenced the room. Her phrases dripped with warmth, wit, and one thing much more highly effective—freedom. Cynthia doesn’t apologize for loving what she loves, for wanting what she needs, for saying the issues that so many solely dare to assume. And the viewers? They knew her work. Some leaned in, nodding alongside. Others whispered, already anticipating her following line. She had them—totally and effortlessly.
Past the featured artists, the open mic sign-ups introduced their very own model of magic. Each seasoned and new poets took the stage with tales of affection, longing, heartache, and need. Antonio Edwards Jr. supplied candy nothings, beginning his piece with Sade’s “Odd Love” and Dionne Williams providing no apology for her shouts of reality.
Because the night wound down, conversations lingered, voices hushed, and strangers left as pals. Poetry After Darkish was a celebration of expression with out constraint.
