Naomi Osaka isn’t any stranger to turning heads, whether or not on the tennis courtroom or within the style world. When she hit the carpet on the 2026 Met Gala on Monday, she made sure to stay as much as this yr’s theme.
Carrying Robert Wun, Osaka first stepped out in a flowery white-and-red feather robe that was, in truth, taken from the Met’s present exhibition, “Costume Artwork.” The feathers sprouted upward like flowers, and she or he accomplished the look with vivid pink gloves with noticeable claws.
Nevertheless, the robe wasn’t the one shock Osaka had for onlookers. Beneath the white robe was a shocking pink costume in her personal model of efficiency artwork.
“I used to be capable of work with Robert Wun, which is an unbelievable honor for me,” Naomi informed Selection. “That is the shedding of the pores and skin and the human anatomy.”
Osaka’s look is her first since 2021, when she served as co-chair for that yr’s gala. Nevertheless, followers shortly caught on to Osaka’s newest collaboration with Wun, which started throughout this yr’s Australian Open.
Carrying a jellyfish-inspired outfit, the look not solely dared tennis customs, but it surely additionally gave Osaka much more grace as a competitor, one who was vocal about turning her appearances on the courtroom into her model of the Met Gala.
In January, she responded to critics of that Wun collaboration on Threads.
“There’s a demographic that’s been speaking about ‘conventional’ tennis outfits and calling me classless for what I put on,” she wrote. “To be trustworthy, I see it for what it’s. I don’t do that for them although; they may by no means get it, and I don’t need them to. I do that for the people who find themselves like me.”
What made the second on the Met extra distinctive? Wun and Osaka had by no means met till going over preliminary fittings for her robes at his design studio in London.
“I used to be so appreciative to satisfy him and see how he works,” Osaka stated. “He didn’t have an ego and was simply keen to alter issues to make me extra snug or hear my perspective on issues.”
Per Wun, “The look debuts with a two-part act on the carpet. First is a sculpted ivory coat, with open seams exposing pink crystals from inside, adorned with stripped feathers flaring outwards like a fountain form.”
Talking of the pink robe, which is a singular stunner in its personal proper, he stated: “It totals over 3,280 hours of handiwork and 1000’s of faceted Swarovski crystals in 4 shades of pink that illustrate the human anatomy, needle by needle, crystal by crystal.”
One thing impactful certainly.
