*For the previous 25 years, members of the Recording Academy have proven up on Capitol Hill to advocate for laws that “makes some noise” about musicians’ rights. This yr, the twenty fifth anniversary of GRAMMYs on the Hill marks a milestone second the place the music group, lawmakers, and the Recording Academy itself unite to proceed the development of federal protections for creators.
Within the age of synthetic intelligence, this advocacy is essential. Whereas in Washington, stakeholders will middle their efforts on safeguarding artists’ rights, guaranteeing transparency, and establishing accountability for AI firms and builders.
By the Grammys on the Hill Advocacy Day and Awards Gala, entertainers interface with lawmakers to share their business issues, and the Future Discussion board opens up dialogue to the music group. These occasions and actions which is able to happen in DC from April 21-23.
Over the a long time the work of the Grammys on the Hill initiative has ranged from issues associated to copyright and possession to combating for honest live performance ticket costs. Dubbed “Music’s Largest Week In D.C.,” the trek to Washington is put aside to care for the enterprise of music and coverage and to rejoice the authorized strides of the group. Organizers say the stakes this yr could also be increased than ever as they deal with inserting guardrails round AI. And they aren’t fully anti-AI; they see the technological worth of utilizing it to make music. However their message facilities across the query, “Who owns your voice.” Just like the late Prince, they imagine an artist has an inherent proper to totally personal and get compensated for his or her likeness. Their lobbying focuses on guaranteeing that there are rules that make AI use equitable.
Annually Congressional leaders who work to convey protecting insurance policies into regulation are acknowledged on the awards gala on Tuesday, April 21. This yr’s recipients are Delaware Demo crat Senator Christ Coon Congresswoman Maria Elvira Salazar (R-FL) who’re the co-sponsors of the bicameral NO FAKES ACT. The scope of the regulation is to offer creators the proper to regulate the use their likeness together with their picture and voice. Moreover, two different items of laws are on the agenda. The Prepare Act, which “provides copyright holders a strategy to discover out if their work was used to coach AI fashions with out permission” and the CLEAR Act, which “requires AI firms to reveal after they use copyrighted materials for coaching.”
Key Occasions: twenty fifth Anniversary of GRAMMYS on the Hill
Featured Performances
The anniversary celebration will embrace dwell performances from:
Israel Houghton
Kenny Wayne Shepherd
Molly Tuttle
College students from the Duke Ellington College of the Arts
GRAMMYS On the Hill Advocacy Day — Wednesday, April 22
A full day of direct engagement on Capitol Hill that includes:
GRAMMY winners, nominees, songwriters, producers, and music advocates
Conferences with lawmakers targeted on AI’s affect on the music group
Coverage conversations centered on the NO FAKES Act, TRAIN Act, and CLEAR Act
That is the flagship advocacy push of the week.
GRAMMYS On the Hill Future Discussion board — Thursday, April 23
The third annual Future Discussion board closes out the 2026 programming with a ahead‑trying convention exploring:
How music strengthens cities and communities
The function of music schooling in making ready the subsequent technology
How artists can navigate the evolving AI panorama
Cross‑sector conversations between policymakers, educators, technologists, and creators
This discussion board positions the music group on the middle of nationwide conversations about tradition, innovation, and the way forward for work and invitations broader discussions.
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